Aquellos maravillosos 80.
Exposicion colectiva / Santiago de Cuba. Galeria de Arte Universal. 2022
Etudes Caribeennes Décembre 2019: Empreintes de l’esclavage dans la Caraïbe
El esclavo imaginado hoy en las artes visuales en el oriente de Cuba The Slave Imagined Today in the Visual Arts in Eastern Cuba María Elena Orozco Melgar et Etna Cecilia Sanz Pérez
MayWorks Windsor. 2020
An update on the Windsor Hand Made Exhibition. The planned Exhibition at the Chimczuk Museum will understandably be delayed. However we plan to reschedule for a later date with the Museum and look forward to a great opening then.
Expanded forms and ideas. SoCA, University of Windsor, ON
Painting 313. Collaborative project. Winter 2020. Emely Roe, Taylyn Paquette, Sydney Garrod, Megan Andrews, Jo Papak, Bianca Bancila, Jada Desamito, Rebecca Mckenzie, Trevor Pallisco, James Pham.
3rd Virgin Islands Productions Film Festival in conjunction with the St. John Film Society and the St. John Art Festival. Thursday, Feb 20 at 7:30 pm. St John School of the Arts.
Local filmmakers and video artists will be presenting short videos and documentaries at the 3rd VIP – Mini Film Festival to be held during the St. John Arts Festival in conjunction with the St. John Film Society at 7:30 p.m., Thursday, Feb. 20, at the St. John School of the Arts. VIP stands for […]
ResiduArt. “Cloths II”. SoCA, School of Creative Arts. University of Windsor. 2020.
ResiduArt Painted cloths, 2020 Painted cloths. (Cloth series, 2020). Bianca Bancil. (Oil on canvas 24×24 inch). 2020. Emily Roe. (oil on canvas, 24×24 inch). 2020. Jo Papak. (Oil on canvas, 24×24 inch. 2020.
Fragmentacion y cotidianidad. “Red de lo Social”: Discurso sobre el subrealismo tropical. Exposicion personal de Yuri Seoane. Santiago de Cuba. 2018
Yuri Elias Seoane Serrano, graduado de Artes Plasticas Instructores de Artes (pepito Tey) Santiago de Cuba. 2007. Graduado en estudios Socioculturales (Universidad de Oriente) Santiago de Cuba 2016. Miembro de la Asociacion Hermanos Saiz. 2013. Durante años se ha dedicado a la realizacion audiovisual y la fotografia experimental, participando en disimiles exposiciones colectivas y personales […]
ResiduArt. “Cloths I” SoCA, School of Creative Arts. University of Windsor. Winter 2020
RESIDUART Interactive dialectic between art, processes, methods, materials and tools. During the artistic production, multiple, essentially objective actions arise and merge in parallel as an integral set of uses, tactics, tools, materials, tricks and inventions due to the practice. In each “moment” of the creative process, the dynamic experience produces byproducts that represent an objective […]
El monumento al Cimarron de El Cobre. Un recuento necesario.
Julio Corbea Calzado: Monumento-al-cimarrón (pdf)
Timelines / Another trait of art. Ada Walman.
SoCA Art gallery. Feb, 2019. University of Windsor. ON
Noiseborder Festival: Time Is Up For Jose Seoane’s Time Room Exhibit
see article by Robert Tuomi
TIMEROOM SoCA Gallery
Opens May 22, 6PM, Armouries SoCA Gallery shown during the Noiseborder Festival 2018 José Seoane’s TIME ROOM is a video installation based on ideas around time, not in the conventional sense regarding measurement and linearity, but as a symbolic element in our lives occupying “space.” The exhibition will be up from May 22 to May […]
SB CONTEMPORARY ART One Wall, One Work – Artist, José Seoane May 5 – June 3
Over the summer months at SB Contemporary Art, we invite you to experience a new series of exhibitions titled, One Wall, One Work. Each month beginning in May and running until the end of August an artist has been invited to exhibit one large work of art to be featured for the month. The concept for this […]
TransAMERICAS: a sign, a situation, a concept September 10th, 2016 to December 11th, 2016
http://www.museumlondon.ca/exhibitions:137 TransAMERICAS features collage, graphics, textile, photographs, video, sculpture and installation works by Laura Barrón, Dianna Frid, Alexandra Gelis, Pablo Helguera, Manolo Lugo, Juan Ortiz-Apuy, Eugenio Salas, José Seoane, José Luis Torres, Clarissa Tossin, and Giorgia Volpe. Certain endeavours function as catalysts for community building, including performances, a mural work by the Z’otz Collective (Nahúm […]
SB Artist Talk and Screening with José Seoane and Chris McNamara – Wednesday June 22, 7pm
As part of the Collect (Part 2) exhibition here at SB Contemporary Art please join us for an Artist Talk and Screening with two of our featured artists, José Seoane and Christopher McNamara. Both of these artists will be talking about their art practices, their processes and the development of there work currently as well […]
SB Contemporary Art: COLLECT
Join us at SB Contemporary Art this Thursday evening at 7pm for the opening of a group exhibition, COLLECT (part 1). This exhibition highlights new and recent works by artists; Elaine Carr, Dean Carson, Gary Michael Dault, Susan Gold, Matthew Hawtin, Zeke Moores, Sasha Opeiko, Victor Romão, José Seoane, Martin Stevens, and Carla Winterbottom
“Moving Image.” The Robert McLaughlin Gallery .
“Moving Image.” This is from Linda Jansma’s blog, the RMG Curator.
Panel Discussion: Images of war: What is forgotten, How Do We Remember?
AGW / Sturday, February 28, 2 pm Windsor, Ontario
AGW Border Cultures participation
January 31 – May 10, 2015 Curated by Srimoyee Mitra, Art Gallery of Windsor ON Canada Opening Reception Friday, January 30, 7 pm – 10 pm
Faculty show 2014
School for Arts and Creative Innovation (Visual Arts). Windsor, ON Jose Seoane. “Gate I”, At the end of the road turn right. 2014.
SB Contemporary Gallery opening
SB Contemporary, Windsor, Canada Curator Sarah Beveridge writes: “In this painting exhibition, Seoane reflects on a back-and-forth struggle between two very different worlds. These large abstract works, both physically and conceptually, can be viewed as symbolic “walls” dividing two places.
Open Sesame / Opening exhibition / September 2012/ Chatham. Ontario
The surfaces of these paintings incorporate elements and simulacra of my previous life in a constant act of re-invention and re-evaluation. The resulting visual language is formed through stratifications of elements, foreign to each other yet cohesive – evoking past and present, permanence and transience, absence and presence, belonging and displacement.
